These small-sized watercolours are my first impressions of my stay at the National Academy of Arts, Sofia. All of them were made in my studio during my erasmus program, and they picture the atmosphere and life in the atelier. Some of the paintings are more like a mesmeric, fictional image based on the place’s spirit.
I fear thee now (I fear you so) - 2013
site specific instalation paper and adhesive foil 11 x 1.40 meters
site specific instalation paper and adhesive foil 11 x 1.40 meters
site specific instalation paper and adhesive foil 11 x 1.40 meters
site specific instalation paper and adhesive foil 11 x 1.40 meters
site specific instalation paper and adhesive foil 11 x 1.40 meters
'EVE:
Adam, why hast thou stolen thus away?
So cold the last embrace thou gavest me;
And in thy face doth care or anger show,
I fear thee now.'
(from the last scene of Imre Madách: The Tragedy of Man)
'The Tragedy of Man deals with universal human problems. This poetic drama follows the destiny of mankind from creation through stages of history into a future of a phalanstery (a Utopian commune) and the ultimate extinction of life. ' (www.britannica.com)
'Adam awakaned from his dream and guided by the (last) XIV scene’s horror, wants to escape to the final solution – the suicide. However Eve’s motherhood makes this act meaningless. […] The Tragedy of Man is the tragedy of the man who quits to the created world with the assistance of intellect. The final conclusion is the fall of the second world, the lost battle of humans against the nature. Even if this antithesis destroys both worlds. Though, the tragedy doesn’t question the task of the creator human (the will and the ratio) but coerces it between boundaries; the ambitions of humans cannot outstep the borders of nature’s and god’s law.' (István Sőtér – Béla G. Németh)
Bare pictures 2017
 Take her around |  Ease in my coldness |
|---|---|
 Your hand is on my hand |  Your beauteous cheeks |
 My hand into your hand |  Slave girl of a saraceen |
 Her little signet ring |  As many stables as... |
 I'm standing in her garden gate |  Your dashing stature |
 Surroundings of friends |
In this work I placed photographs next to ancient Egyptian love poem excerpts. I have found the photographs on the way back to my home village. One erotic card from a deck is on each picture, and I paired these with the love poems. The pairs based on a certain metaphor from the poem. The pornographic, but still esthetic images with the passionate and emotional texts engender a grotesque and funny connection in which you can find all the aspect of love; both the physical and the spiritual.
Window-dresser exam works 2010-2011
window-dresser exam work 2011
window-dresser exam work 2011
window-dresser exam work 2010
window-dresser exam work 2011
Make me the kind of person you want me to be. Amen oil, canvas 65 x 50 cm 2013
oil, canvas 48.5 x 43 cm 2013
oil, salver, chair-pillow 33 x 33 cm and 17 x 17 cm 2012