These small-sized watercolours are my first impressions of my stay at the National Academy of Arts, Sofia. All of them were made in my studio during my erasmus program, and they picture the atmosphere and life in the atelier. Some of the paintings are more like a mesmeric, fictional image based on the place’s spirit.
They have counted all my bones - 2025

ceramic, x-ray images, carpet, ash, stone 3,5 x 5 m

ceramic, x-ray images, carpet, ash, stone 3,5 x 5 m

ceramic, x-ray images, carpet, ash, stone 3,5 x 5 m

Above wordless water, a hair-braided bridge.

Before you look in the mirror, you see yourself through your palm.

Your soul holds the wind.

Your darling, and your two sons buried you. They brought you here, to the city of the birds, and you said: Inherit from me.

You see yourself through the invisible mask of your face.

You rest in the white stillness, while we burn your house.

You have turned from the rays of the sun, On your face a yellow handkerchief.

Gather all your limbs, shake the soil from your body, and show me the clay you have talked about.

Your loving wife cared for you. She brought the things you left behind, and bread to eat at the fireplace.

The son who calls to his father now: You are like the deer in our garden, which runs away as we approach.

It hoots: completely mine!

ceramic, x-ray images, carpet, ash, stone 3,5 x 5 m

ceramic, x-ray images, carpet, ash, stone 3,5 x 5 m
We were what you are, and you will become what we are - 2026

curtain made of bones and pearls 200 cm x 120 cm

curtain made of bones and pearls 200 cm x 120 cm

curtain made of bones and pearls 200 cm x 120 cm

curtain made of bones and pearls 200 cm x 120 cm

curtain made of bones and pearls 200 cm x 120 cm

curtain made of bones and pearls 200 cm x 120 cm

curtain made of bones and pearls 200 cm x 120 cm
The phial of eternal sorrow - 2026

glass spheres, antler, ceramic 70 x 70 x 100 cm

glass spheres, antler, ceramic 70 x 70 x 100 cm

glass spheres, antler, ceramic 70 x 70 x 100 cm

glass spheres, antler, ceramic 70 x 70 x 100 cm

glass spheres, antler, ceramic 70 x 70 x 100 cm

glass spheres, antler, ceramic 70 x 70 x 100 cm

glass spheres, antler, ceramic 70 x 70 x 100 cm

glass spheres, antler, ceramic 70 x 70 x 100 cm

glass spheres, antler, ceramic 70 x 70 x 100 cm
How many faces does a person have, before only one remains at the end? - 2026

handkerchiefs, curtains, lace 300 x 180 cm

handkerchiefs, curtains, lace 300 x 180 cm

handkerchiefs, curtains, lace 300 x 180 cm

handkerchiefs, curtains, lace 300 x 180 cm

handkerchiefs, curtains, lace 300 x 180 cm

handkerchiefs, curtains, lace 300 x 180 cm

handkerchiefs, curtains, lace 300 x 180 cm
Garden - 2026

plastic flowers 180 x 200 cm

plastic flowers 180 x 200 cm

plastic flowers 180 x 200 cm

plastic flowers 180 x 200 cm

plastic flowers 180 x 200 cm

plastic flowers 180 x 200 cm

plastic flowers 180 x 200 cm
I fear thee now (I fear you so) - 2013

site specific instalation paper and adhesive foil 11 x 1.40 meters

site specific instalation paper and adhesive foil 11 x 1.40 meters

site specific instalation paper and adhesive foil 11 x 1.40 meters

site specific instalation paper and adhesive foil 11 x 1.40 meters

site specific instalation paper and adhesive foil 11 x 1.40 meters
'EVE:
Adam, why hast thou stolen thus away?
So cold the last embrace thou gavest me;
And in thy face doth care or anger show,
I fear thee now.'
(from the last scene of Imre Madách: The Tragedy of Man)
'The Tragedy of Man deals with universal human problems. This poetic drama follows the destiny of mankind from creation through stages of history into a future of a phalanstery (a Utopian commune) and the ultimate extinction of life. ' (www.britannica.com)
'Adam awakaned from his dream and guided by the (last) XIV scene’s horror, wants to escape to the final solution – the suicide. However Eve’s motherhood makes this act meaningless. […] The Tragedy of Man is the tragedy of the man who quits to the created world with the assistance of intellect. The final conclusion is the fall of the second world, the lost battle of humans against the nature. Even if this antithesis destroys both worlds. Though, the tragedy doesn’t question the task of the creator human (the will and the ratio) but coerces it between boundaries; the ambitions of humans cannot outstep the borders of nature’s and god’s law.' (István Sőtér – Béla G. Németh)
Bare pictures 2017
![]() Take her around | ![]() Ease in my coldness | ![]() Your hand is on my hand |
|---|---|---|
![]() Your beauteous cheeks | ![]() My hand into your hand | ![]() Slave girl of a saraceen |
![]() Her little signet ring | ![]() As many stables as... | ![]() I'm standing in her garden gate |
![]() Your dashing stature | ![]() Surroundings of friends |
In this work I placed ancient Egyptian love poem excerpts next to photographs I have found on the way to my home village. There is an erotic card from a deck on each picture, paired with the poems. The juxtapositions are based on certain metaphors of the texts. The pornographic, but still aesthetic images with the passionate and emotional texts engender a grotesque and funny connection in which you can find different aspects of love; both physical and spiritual.
Window-dresser exam works 2010-2011

window-dresser exam work 2011

window-dresser exam work 2011

window-dresser exam work 2010

window-dresser exam work 2011

Make me the kind of person you want me to be. Amen oil, canvas 65 x 50 cm 2013

oil, canvas 48.5 x 43 cm 2013

oil, salver, chair-pillow 33 x 33 cm and 17 x 17 cm 2012










